Sommer Haus 'Small Wonders' Finalist

Spreads Magazine, Winter 2026

Boomer Gallery 'New Artists Eighth Edition'

Allora Gallery 'Nature's Canvas'

Art Evol 2025

Royal Academy 'Summer Exhibition '25'

Glasgow gallery of Photogrpahy 'Green'

Morphology

I stand at the threshold of transformation. Morphology is not just a project — it is a pulse, a breath, a declaration that identity is alive, shifting, and uncontainable.

As someone of mixed race, I know the weight of appearances. I know how quickly the eye decides, how swiftly the mind concludes. But skin is only surface. Identity is depth. What you see is only the tip of the iceberg; beneath lies a vast terrain of memory, heritage, contradiction, and becoming. My work insists: look deeper. Resist haste. See beyond.

Anaïs Nin once wrote, “We don’t see things as they are, we see them as we are.” This truth reverberates through every image I create. Perception is never neutral; it is a mirror, a lens, a filter. My art asks you to question what you bring to the act of seeing, and what you might miss if you stop at the surface.

Through Brobdingnagian digital prints, I weave organic matter with technological precision, creating forms that feel both eternal and fleeting. Each piece is a metamorphosis — a seed cracking open, a tide reshaping stone, a body learning to carry its histories. Hyper-real detail becomes a meditation, a call to slow down, to linger, to witness.

This is not ornament or spectacle, but a meditation on becoming. Like organisms bending toward survival, we too adapt, fracture, heal, and grow. Morphology is my reminder that change is not an interruption of life — it is life itself.

I offer this work as an invitation: to look deeper, to unlearn haste, to embrace the beauty of transformation — within me, within you, within the living world that binds us all.