Boomer Gallery 'New Artists Eighth Edition'

Allora Gallery 'Nature's Canvas'

Royal Academy 'Summer Exhibition '25'

Glasgow gallery of Photogrpahy 'Green'

Morphology

I stand at the threshold of transformation. Morphology is not just a project — it is a pulse, a breath, a declaration that identity is alive, shifting, and uncontainable.

As someone of mixed race, I know the weight of appearances. I know how quickly the eye decides, how swiftly the mind concludes. But skin is only surface. Identity is depth. What you see is only the tip of the iceberg; beneath lies a vast terrain of memory, heritage, contradiction, and becoming. My work insists: look deeper. Resist haste. See beyond.

Anaïs Nin once wrote, “We don’t see things as they are, we see them as we are.” This truth reverberates through every image I create. Perception is never neutral; it is a mirror, a lens, a filter. My art asks you to question what you bring to the act of seeing, and what you might miss if you stop at the surface.

Through Brobdingnagian digital prints, I weave organic matter with technological precision, creating forms that feel both eternal and fleeting. Each piece is a metamorphosis — a seed cracking open, a tide reshaping stone, a body learning to carry its histories. Hyper-real detail becomes a meditation, a call to slow down, to linger, to witness.

This is not ornament or spectacle, but a meditation on becoming. Like organisms bending toward survival, we too adapt, fracture, heal, and grow. Morphology is my reminder that change is not an interruption of life — it is life itself.

I offer this work as an invitation: to look deeper, to unlearn haste, to embrace the beauty of transformation — within me, within you, within the living world that binds us all.